Publications
2026[ to top ]
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“A Review of String Instrument Synthesis Methods for Use in Interactive Systems”, Transactions of the International Society for Music Information Retrieval (TIMSIR), vol. 9, no. 1, Art. no. 1, 2026, doi: 10.5334/tismir.267.
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“Computational Strategies for Measuring and Visualizing Tonal Structures: Towards a Large-Scale Analysis of Wagner’s Ring Cycle”, ACM Journal on Computing and Cultural Heritage (JOCCH), 2026.
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“End-to-End Music-Driven Stage Lighting: A Co-Creative Framework”, in Proceedings of the 19th International Conference on Pervasive Technologies Related to Assistive Environments (PETRA), Crete, Greece, 2026. doi: 10.1145/3652037.3652054.
2025[ to top ]
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“Voice Assessment and Vocal Biomarkers in Heart Failure: A Systematic Review”, Circulation: Heart Failure, vol. 18, no. 8, Art. no. 8, 2025, doi: 10.1161/CIRCHEARTFAILURE.124.012303.
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“Cross-Modal Approaches to Beat Tracking: A Case Study on Chopin Mazurkas”, Transaction of the International Society for Music Information Retrieval (TISMIR), vol. 8, no. 1, Art. no. 1, 2025, doi: 10.5334/tismir.238.
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“An Evaluation Strategy For Local Key Estimation: Exploiting Cross-Version Consistency”, in Proceedings of the 26th International Society for Music Information Retrieval Conference (ISMIR), Daejeon, South Korea, 2025, pp. 158–165. doi: 10.5281/ZENODO.17706357.
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“Poems Set to Music: A Multimodal Analysis of Schubert’s Song Cycle Winterreise”, in Proceedings of the Computational Humanities Research Conference (CHR), Luxembourg, 2025.
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“Style Evolution in Western Choral Music: A Corpus-Based Strategy”, Computational Humanities Research, vol. 1, 2025.
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“Towards Robust Music Transcription By Measuring Cross-Version Consistency In Western Classical Music”, in Proceedings of the 26th International Society for Music Information Retrieval Conference (ISMIR), Daejeon, South Korea, 2025, pp. 271–278. doi: 10.5281/ZENODO.17706389.
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“Visualizing Wagner: A Combined Annotational Approach to Siegfried Act III”, in Proceedings of the Music Encoding Conference (MEC), London, UK, 2025.
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“Cross-Modal Metrics for Capturing Correspondences Between Music Audio and Stage Lighting Signals”, in Proceedings of the 33rd ACM International Conference on Multimedia (MM), Dublin, Ireland, 2025, pp. 528–534. doi: 10.1145/3746027.3755488.
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“Interacting with Annotated and Synchronized Music Corpora on the Dezrann Web Platform”, Transactions of the International Society for Music Information Retrieval (TISMIR), vol. 8, no. 1, Art. no. 1, 2025, doi: 10.5334/TISMIR.212.
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“Unsupervised Domain Adaptation for Music Transcription: Exploiting Cross-Version Consistency”, in Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Hyderabad, India, 2025.
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“A Computational Approach for Visualizing Tonal Structures in Music Recordings”, in Oxford Handbook for Systematic Empirical Research in the Arts, Heidelberg, Germany: Oxford University Press, 2025.
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“A Multidimensional Approach to Opera Analysis: Harmony, Tempo, and Dramatic Interaction in Wagner’s Siegfried”, in Proceedings of the 26th International Society for Music Information Retrieval Conference (ISMIR), Daejeon, South Korea, 2025.
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2024[ to top ]
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“BPSD: A Coherent Multi-Version Dataset for Analyzing the First Movements of Beethoven’s Piano Sonatas”, Transactions of the International Society for Music Information Retrieval, vol. 7, no. 1, Art. no. 1, 2024, doi: 10.5334/TISMIR.196.
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“From Music Scores to Audio Recordings: Deep Pitch-Class Representations for Measuring Tonal Structures”, ACM Journal on Computing and Cultural Heritage (JOCCH), 2024, doi: doi.org/10.1145/3659103.
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“Computational Audio and Music Analysis”, in Computational Theology, Heidelberg, Germany, 2024.
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“Utilizing Cross-Version Consistency for Domain Adaptation: A Case Study on Music Audio”, in International Conference on Learning Representations (ICLR), Tiny Papers, 2024. [Online]. Available: https://openreview.net/forum?id=ZNg3YQQKWT
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“Towards Robust Local Key Estimation with a Musically Inspired Neural Network”, in Proceedings of the European Signal Processing Conference (EUSIPCO), Lyon, France: IEEE, 2024.
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2023[ to top ]
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“Wagner Ring Dataset: A Complex Opera Scenario for Music Processing and Computational Musicology”, Transaction of the International Society for Music Information Retrieval (TISMIR), vol. 6, no. 1, Art. no. 1, 2023, doi: https://doi.org/10.5334/tismir.161.
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“Soft Dynamic Time Warping For Multi Pitch Estimation And Beyond”, in Proceedings of the IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Rhodes Island, Greece, 2023.
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“Studying Tonal Evolution of Western Choral Music: A Corpus-Based Strategy”, in Proceedings of the Computational Humanities Research Conference (CHR), in CEUR Workshop Proceedings, vol. 3558. Paris, France, 2023, pp. 687–702. [Online]. Available: https://ceur-ws.org/Vol-3558/paper7862.pdf
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“A Cross-Version Approach to Audio Representation Learning for Orchestral Music”, in Proceedings of the International Society for Music Information Retrieval Conference (ISMIR), Milano, Italy, 2023.
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“Perspektiven computergestützter harmonischer Analyse: Beethovens op. 14 Nr. 1 als Gegenstand gattungsübergreifender Korpusanalyse”, in Proceedings of the GI Jahrestagung, Berlin, Germany, 2023.
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2022[ to top ]
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“JSD: A Dataset for Structure Analysis in Jazz Music”, Transactions of the International Society for Music Information Retrieval (TISMIR), vol. 5, no. 1, Art. no. 1, 2022, doi: 10.5334/tismir.131.
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“Comparing Deep Models and Evaluation Strategies for Multi-Pitch Estimation in Music Recordings”, IEEE/ACM Transactions on Audio, Speech & Language Processing, vol. 30, pp. 2814–2827, 2022, doi: 10.1109/TASLP.2022.3200547.
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“Mid-level Harmonic Audio Features for Musical Style Classification”, in Proceedings of the International Society for Music Information Retrieval Conference (ISMIR), Bengaluru, India, 2022.
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